[Parution] Ibrahim Akel et William Granara, The Thousand and One Nights: Sources and Transformations in Literature, Art, and Science, Brill, Leyde , 2020
The Thousand and One Nights does not fall into a scholarly canon or into the category of popular literature. It takes its place within a middle literature that circulated widely in medieval times. The Nights gradually entered world literature through the great novels of the day and through music, cinema and other art forms. Material inspired by the Nights has continued to emerge from many different countries, periods, disciplines and languages, and the scope of the Nights has continued to widen, making the collection a universal work from every point of view. The essays in this volume scrutinize the expanse of sources for this monumental work of Arabic literature and follow the trajectory of the Nights’ texts, the creative, scholarly commentaries, artistic encounters and relations to science.
Contributors: Ibrahim Akel, Rasoul Aliakbari, Daniel Behar, Aboubakr Chraïbi, Anne E. Duggan, William Granara, Rafika Hammoudi, Dominique Jullien, Abdelfattah Kilito, Magdalena Kubarek, Michael James Lundell, Ulrich Marzolph, Adam Mestyan, Eyüp Özveren, Marina Paino, Daniela Potenza, Arafat Abdur Razzaque, Ahmed Saidy, Johannes Thomann and Ilaria Vitali.
Information : https://brill.com/view/title/55386
Sommaire :
By: Ulrich Marzolph
Pages: 3–21
Reshaping the Frame Story of the Thousand and One Nights
The Coherence of Prologue and Epilogue in the Earliest Existing Arabic Mss
By: Johannes Thomann
Pages: 22–38
Les manuscrits des Mille et une nuits au Maroc
By: Ahmed Saidy
Pages: 39–56
Redécouverte d’un manuscrit oublié des Mille et une nuits
Le manuscrit de James Anderson
By: Ibrahim Akel
Pages: 57–67
Métissage and the Literary Field of the French Enlightenment
The Impact of Galland’s Translation of the Arabian Nights
By: Anne E. Duggan
Pages: 69–81
Print Culture, Authorship, and ‘The Affair of the Eighth Volume’ at the Origins of Les Mille et une nuits
Pages: 82–120
Pages: 123–126
Subtile influence des Mille et une nuits dans le Rimbaud des Illuminations
By: Rafika Hammoudi
Pages: 127–141
Richard F. Burton’s Transtextual 1001 Nights and the Source of Its Poetry
Pages: 142–162
Sacred and Profane Love in the Arabian Nights
Nūr al-Dīn ibn Bakkār vs. Nūr al-Dīn ibn Ḫāqān
By: William Granara
Pages: 163–174
Hārūn Al-Rašīd, the Arabian Nights, and Politics on the Arabic Stage, 1850s–1920s
By: Adam Mestyan
Pages: 175–197
Ongoing Experimentation in Arabic Theatre
By: Daniela Potenza
Pages: 198–215
The Reception of One Thousand and One Nights in Polish Contemporary Literature
Pages: 216–226
Three Twentieth-Century Examples of Reception (Vittorini, Pasolini, Calvino)
By: Marina Paino
Pages: 227–239
L’héritage des Mille et une nuits chez Michel Ocelot
By: Ilaria Vitali
Pages: 240–253
The Introduction and Usage of the Arabian Nights within the US’s Print Modernity
By: Rasoul Aliakbari
Pages: 255–269
Jacqueline Kahanoff on the Margins of A Thousand and One Nights
By: Daniel Behar
Political Therapy in the Nights’ Hypertext
Pages: 280–295
The Devil in the Details, or, Economics in Thousand and One Nights
By: Eyüp Özveren
Pages: 296–324
OpenEdition vous propose de citer ce billet de la manière suivante :
Enki Baptiste (5 mai 2020). [Parution] Ibrahim Akel et William Granara, The Thousand and One Nights: Sources and Transformations in Literature, Art, and Science, Brill, Leyde , 2020. Doc-Ciham. Consulté le 21 septembre 2024 à l’adresse https://doi.org/10.58079/ntxs
